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Training During the Plague Times

It has been a few weeks now of training under the social distancing rules.

We are, in many ways, more fortunate than a number of other martial arts schools. If open hand techniques were all we had, then it would be impossible for us to continue under the current restrictions.

However, we have the ability to run one on one classes, taking each student through weapons’ kihon, kata, kamae and suburi. And we have enough of these to easily outlast the virus.

The students seem to be responding well to the new regime; all are learning new techniques, some even new weapons and there is noticeable improvement in the fundamentals, probably due to the more intense focus required in an individual lesson.

From an instructor’s perspective, while this is all good budo and of immense benefit on multiple levels, it is still, in many ways, just wax on, wax off.

Where is the Aiki?

It does exist in a more subtle form.

It is built into the kata and the very nature of how the weapons are wielded.

But I miss its expression through the dynamic interaction of uke/nage, uchitachi/shitachi.

It takes restraint to teach whilst maintaining a two meter distance.

Nevertheless, we are laying solid foundations for future partnered practice and keeping the School alive during these circumscribed times.

頑張れ

 

Kai Cho

www.warriorway.net

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Readiness

Anticipation is the brain using information at hand to make a prediction.  It is a gamble.  In some instances, I would even call it hubris.  Our perception of reality is imperfect and much of our environment is intentionally trying to mislead us.  The notion that we can predict the future is folly.

Students can confuse their anticipation with being prepared.  It is not the same thing.

I find myself in a world in which there is a looming threat that hasn’t seemed real for months, and yet we all know it is at our doorstep.  We don’t know if or when it will come into our homes.  We don’t know how seriously it will affect us.  We don’t know when it will end.

Am I prepared?  Yes.  I can rest in the knowledge that I have treated this situation seriously and didn’t act in haste.  Am I scared? Yes. It is a very real threat with potentially serious consequences for people I love.

That is the extent of what I know for sure.

Everything you do in a typical class can be expanded and used to deal with the current pandemic.

  • The opening ceremony sets your mind and attitude to focus on something special that you are undertaking.  Start your day with something mindful and intentional.
  • Warm-ups and ukemi.  Eat breakfast and do something that gets your mind ready for the day.
  • Technique.  If you attend class in our dojo, you usually have no idea what techniques and principles the instructor is going to teach.  But you listen, you watch, you take in the information and act.
  • The closing ceremony ends the class.  We thank the people who created our art, we thank our teachers, and we thank each other.  The class ends, but we take what we have learned and incorporate it into our life.

The longer you train, the easier all of this gets.  The more accepting you are of the gift of teaching.  The more thankful you are for the experience.  Surprises are a delight!  Setbacks remind us why we keep showing up.  The lessons learned from the unexpected are treasures.

Our art can be used daily, whether you are wearing a sword, or not. My advice is: spend your time staying ever ready.  Don’t waste energy and thought on what you don’t know or what your imagination conjures. Be thankful for what trials reveal about you.

 

O’Brien Sensei

www.warriorway.net

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Interest Peaks at Technique

 

Not too long ago I was having a conversation with the founder of our School, and inevitably, when two old instructors get together, the conversation at some point will drift towards complaining about the quality and quantity of students, both past and present.

Being a traditional Japanese art, there is so much more to the School than what appears on the surface and often any attempt to teach or present the more holistic aspects is met with indifference by the majority of students.

My predecessor summed them up nicely: “Their interest peaks at technique”, he said.

Who are these students, so shallow as to not see beyond the physical shapes, the wrist locks, the throws, the samurai excitement of playing with swords?

They are the ones who are no longer students.

There are many reasons for people to start martial arts training, but ultimately, if your interest peaks at technique, you are probably better off moving over to sports, perhaps even one of those that pretends to be a martial art.

The students whose interests extend beyond technique are still with us.

 

Kai Cho
www.warriorway.net

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Marketing

As the head of a martial arts school, I am regularly presented with ads for how to successfully market my business and become a martial arts millionaire, (perhaps everyone is hit with these ads and I just think I am special because I do actually have a martial arts school).

We are promised ways to find our niche market, create simple and easy ways to convince students to walk through the door, along with magic language skills to ensure high levels of retention.

What would Musashi do if faced with such high end consumerism, I muse, as I subconsciously reach for my sword.

Possibly influenced by my own innate dislike of capitalism, to me, such an approach is anathema to the very heart of budo.

Our niche is that we practice a traditional martial art, taught in the traditional way.
I do this not out of a motivation to become rich, but because of the inherent value of the art and my passion for it.

I will continue to practice for the rest of my life, irrespective of whether there are any students or not and even if I do not become a millionaire.

Indeed, the whole modern marketing approach is backwards: it is up to the individual to convince the sensei that they are worthy to join their School and receive instruction. By reversing this traditional approach, we reduce our martial arts schools to gyms and childcare centres.

I no longer put contact details on my business card:

We are, needless to say, a very small School, but our students are sincere.

 

Kai Cho
www.warriorway.net

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Cautionary Tales from the Past For the New Year

A long time and many dojo ago, we had two students who were struggling with their training.

One would question everything. They could not cope with the fact that one instructor would teach a particular technique one way, but another instructor would do it quite differently, or sometimes the same instructor taught the same technique differently between classes.

Nothing about this situation is unusual, nor was the student’s inability to understand why. (See also the post on kata). The problem was the student would constantly question their teacher in class. Not only did this prevent them from learning, it did the same for the other students.

Student number two’s struggle was their life outside the dojo. It was extremely stressful and caused them a lot of mental and emotional anguish. Rather than leave all that at the door, as they were often advised, along with exercises to help them do this, they would bring these worries with them on to the mat. Naturally, their training suffered and they too learnt very little and what they did learn tended to be short term.

One night, after class, we were having some drinks at the pub, (things were much more civilised back then and post training beers were an integral part of senior classes), student number one had a revelation. He realised that really, all he had to do, was whatever the current instructor for the class told him to do and not worry about anything else.

Yes, we said.

For the instructors, this was less of a revelation and more of an obvious statement of fact.

For the student, however, everything changed from that moment. Their training progressed at an accelerated rate and he quickly became the most highly ranked student in the School.

Sadly, student number two never had such a moment. They continued to train within the confines of their mundane life instead of fully in the dojo. Their progress remained slowed to a rate well below the norm.

 

Kai Cho

www.warriorway.net

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Correlation is not necessarily causation

Byproducts of deep learning are the layers of understanding that form as you go.

 Early learning can be as simple as matching up a technique name with a specific movement.  Later, with more study, the movement you thought was the technique was just a few body shapes you copied; and the technique was an interaction with someone else.  Further on, you may see the interaction between you & another as a set of intentions and opportunities that resulted in an exchange.

And it extends further until shapes blend together and interactions stretch into one experience.

Through it all: you are right, but not for the reasons you think you are.

 I have a need to match up explanations with my understanding.  At each stage, my reasoning is sound.  Most times, the effect of a technique matches up with my application of it and things make sense.  That is, until I refine my learning and my technique.  The execution becomes a little better and the results are more satisfying.

 The discovery of the principle is an ever-regenerating fountain, but it doesn’t flow because of my mind’s reasoning.

 

O’Brien Sensei

www.warriorway.net

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Summer Grading 2019

Another grading complete, another round of students moving up a level.

Was a good grading.

And our first children’s grading in a long time.

It was their idea, they said if the adults were grading, so should they.

I told them the adults did not like grading, but they were insistent.

They were also impressive.

They knew all the taiso undo and techniques by their Japanese names and they maintained a level of focus that would have been admirable in an adult class.

The adult sword students also performed well.

It is not always an easy thing to express Aiki through sword, but they did and each of them deserves their new rank.

Am looking forward to the new year.

 

Kai Cho

www.warriorway.net

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Vegan Japan

We did not make it to Japan this year, unfortunately, so as part of my reminiscing here is an article I wrote on surviving there as a vegan, with thanks to Tanwyn Sensei for providing the photos.

 

If you do any basic research on finding vegan food in Japan you will invariably be told that even though it is becoming more accessible, it is still very difficult.

Whilst the first part of the statement is true in terms of more vegan only establishments opening up in the larger cities like Tokyo and Kyoto, (you can even find vegan bento boxes at Tokyo station), the second part is more apparent than real.

On my first few trips I accepted the difficulty as a matter of course and used my Japanese holidays as a weight loss regime.

The truth is, however, that Japan has plenty of vegan food to offer if you know how to look and make a little effort. Indeed, now days I come back having put weight on.

The cause of the discrepancy in perception is that the Japanese do not regard the meals as ‘vegan’, as such. They are just traditional Japanese meal options.

Tofu and seaweed

Fish in dashi does remain a problem, but even that is not insurmountable. If you memorise some simple phrases such as:

だしは魚が入っていますか

or even the more general:

これには魚が入っていますか

It is always worth asking about the dashi separately, as the fish stock in this is so generic it is often forgotten by the serving staff.

Here are some of the ways we have eaten well in Japan as vegans.

The simplest way is to buy familiar foods from either a konbini, or a supermarket and make up your own salads, etcetera. This is a good way to have pre prepared lunches for those long travel days. But is also perhaps, the least satisfying way of finding food, it being far too close to what you would do at home.

Safe Japanese foods like inari zushi are also readily found in such places, for a quick, if not necessarily nutritious, snack. (Certainly my youngest’s favourite konbini food). There are also a variety of vegan onigiri to be had this way, but if you cannot read the ingredients, you could be in for a nasty surprise, so choose wisely.

Small lunch time dango shops, or roadside vendors, provide a good walking snack or sit down lunch. One tiny place we found, run by an old couple, also served some of the best home made tofu you could ever wish for.

Minshuku regularly offer meals for an added cost to the accommodation. We usually organise, at least, breakfast this way. A little bit of basic communication ensures it is vegan and we start each day well fed with a traditional Japanese breakfast of rice, vegetables, pickles and soup.

One of the minshuku breakfasts

In more remote locations with a lack of eating options, the same can be done for the other meals. One place we stayed at, fed us so well for breakfast and dinner, that I did not bother eating lunches. This is also an excellent way to sample local delicacies. I have very fond memories of mountain vegetable pickles.

Dinner at the minshuku with complementary beer

In the evenings a good place to find vegan food is any of the Family pubs. There are a number of these chain store franchises across Japan and they are an excellent way to wind down after a long day of climbing stairs. You have a booth to yourself and the menus have pictures of all the meals. They usually have one or two vegan mains, such as soba noodles and a good variety of side dishes. Order one of each and you have a vegan feast to share. Our favourite Ne Ne Ya, has a sprout salad dressed with truffle oil that we have never been able to resist.

Family Pub offerings

It is also not too difficult to have a more up market restaurant vegan meal without the expense of a Kyoto monastery shojin ryori restaurant. By all means, do not neglect such an experience if you have the money and happen to be in Kyoto. It will be one of the most exquisitely delightful dining experiences of your life. We have managed equally sublime experiences in small towns.

By arranging with the restaurant in advance that we wanted a vegan meal, shojin ryori style, they were quite happy to create a banquet for us, not available on their standard menu. The first time we did this, having very little in the way of language skills, we organised it through the information office at the local train station, where one of the staff spoke some English. The second time, with only marginally better skills, we did it ourselves, by just turning up an hour or so before we wanted to eat, explained what we wanted, when and for how many. They asked what our budget was and all was sorted. We came back to a multi course feast of dishes of unimaginable elegance and indescribable tastes, each plate surpassing the one before.

A fig dish that we are still talking about years later

All this, including sake came to less than 2000 yen a person. We could not eat it all, leading to that awkward moment of asking for a take away container, without appearing to suggest the chef come home with me for the evening. Much room for improvement in my Japanese language.

With not too much effort it is quite easy to eat well and vegan in Japan. And bear in mind our language skills were rudimentary at best. I do not recommend those cards you can find on various web sites that you can print out to take with you, stating in Japanese that you can not eat any of the foods listed on the card. We tried them one year, and every place we presented them to told us there was nothing they could serve us. There no doubt was much we could eat, but they were not going to take the risk. It is better to learn a few key phrases and try to communicate in person.

Much of Japanese food already is vegan, they simply do not define it in that manner. Making the effort to discover this can be one of the most rewarding culinary experiences of your life.

Kai Cho

www.warriorway.net

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Are You Looking at Me?

Whenever I teach something outside the basic kihon curriculum, which is often, I am always amazed at the lengths students will go to, to avoid doing what has just been demonstrated.

You can look down the line on the mat and every nage is doing something different, none of them what they are supposed to. (Occasionally, even uke is doing the wrong thing, but that is perhaps a different story. Or perhaps not).

We are not talking complicated techniques here, just basic body movements, so it is impressive the levels of imagination required to come up with these new, convoluted and totally ineffective ways of expressing what they thought they had just been shown.

This then begs the question: What the hell are they seeing when I am teaching?

 

Kai Cho

www.warriorway.net